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Archetypal literary criticism argues that archetypes determine the form and function of literary works, and therefore, that a text's meaning is shaped by cultural and psychological myths. Archetypes are the unknowable basic forms personified or concretized in recurring images, symbols, or patterns which may include motifs such as the quest or ...
A femme fatale ( / ˌfɛm fəˈtæl, - ˈtɑːl / FEM fə-TA (H)L, French: [fam fatal]; lit. 'fatal woman' ), sometimes called a maneater, [ 1] Mata Hari, or vamp, is a stock character of a mysterious, beautiful, and seductive woman whose charms ensnare her lovers, often leading them into compromising, deadly traps. She is an archetype of ...
The portrayal of women warriors in literature and popular culture is a subject of study in history, literary studies, film studies, folklore history, and mythology. The archetypal figure of the woman warrior is an example of a normal thing that happens in some cultures, while also being a counter stereotype, opposing the normal construction of ...
Mary Sue. The Mary Sue is a character archetype in fiction, usually a young woman, who is often portrayed as inexplicably competent across all domains, gifted with unique talents or powers, liked or respected by most other characters, unrealistically free of weaknesses, extremely attractive, innately virtuous, and generally lacking meaningful ...
Archetypal literary criticism is a type of analytical theory that interprets a text by focusing on recurring myths and archetypes (from the Greek archē, "beginning", and typos, "imprint") in the narrative, symbols, images, and character types in literary works. As an acknowledged form of literary criticism, it dates back to 1934 when Classical ...
v. t. e. In Jungian depth psychology, the witch archetype is a common portrayal of a woman, usually old and living alone, who practices dark magic. Witches are typically considered to be a dangerous, lurking threat. [ 1] How the witch archetype is viewed typically depends on the religious and political context as well as the social context and ...
Although the archetype arose largely through feminism, it has not been universally well received by those supportive of women's rights. [5] Sophia McDougall of the New Statesman has criticized the high prevalence of strong female characters for creating a cliché that represents women as unrealistically strong; she argues that the simplicity of this archetype does little to present women in ...
Women in Shakespeare is a topic within the especially general discussion of Shakespeare 's dramatic and poetic works. Main characters such as Dark Lady of the sonnets have elicited a substantial amount of criticism, which received added impetus during the second-wave feminism of the 1960s. A considerable number of book-length studies and ...
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