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Ottoman Sultan Suleiman the Magnificent adorned in a richly embroidered kaftan. A stylish young woman of the mid-17th century. She wears şalvar (trousers), a long, sheer gömlek (chemise), and an ankle-length purple entari (outer robe) with the ends tucked up. The fur lining of her yelek (jacket or vest) marks her as wealthy and high-ranking.
Fashion in the period 1550–1600 in European clothing was characterized by increased opulence. Contrasting fabrics, slashes, embroidery, applied trims, and other forms of surface ornamentation remained prominent. The wide silhouette, conical for women with breadth at the hips and broadly square for men with width at the shoulders had reached ...
1830s in Western fashion. In the 1830s, men wore dark coats, light trousers, and dark cravats for daywear. Women's sleeves reached their ultimate width in the gigot sleeve. Here, the boys (on holiday in the mountains) wear buff-colored belted knee-length tunics with yokes and full sleeves over trousers. The girls wear white dresses with colored ...
1650–1700 in Western fashion. The elegant gentleman wears a coat, waistcoat, and breeches. The lady's bodice is long-waisted and her over skirt is draped and pinned up behind, Dutch, 1678. Fashion in the period 1650–1700 in Western clothing is characterized by rapid change. The style of this era is known as Baroque.
The "bowl" haircut with the back of the neck shaved was popular in mid-15th century. Hose or chausses worn with braies and tied to a belt, 1440. Back view of a knee-length Italian cioppa or houppelande of figured silk. One sleeve is turned back to the shoulder to reveal the lining and the doublet sleeve beneath.
The men's long, narrow coats are trimmed with gold braid. c.1730–1740. Fashion in the period 1700–1750 in European and European-influenced countries is characterized by a widening silhouette for both men and women following the tall, narrow look of the 1680s and 90s. This era is defined as late Baroque/Rococo style.
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