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The conservation and restoration of painting frames is the process through which picture frames are preserved. Frame conservation and restoration includes general cleaning of the frame, as well as in depth processes such as replacing damaged ornamentation, gilding, and toning. The purpose of painting frames is twofold.
The conservation-restoration of panel paintings involves preventive and treatment measures taken by paintings conservators to slow deterioration, preserve, and repair damage. Panel paintings consist of a wood support, a ground (linen or parchment sized with glues, resin, and gesso ), and an image layer ( encaustic, tempera, oil ). [ 1]
A picture frame is a container that borders the perimeter of a picture, and is used for the protection, display, and visual appreciation of objects and imagery such as photographs, canvas paintings, drawings and prints, posters, mirrors, shadow box memorabilia, and textiles. Traditionally picture frames have been made of wood, and it remains ...
A panel painting is a painting made on a flat panel of wood, either a single piece or a number of pieces joined together. Until canvas became the more popular support medium in the 16th century, panel painting was the normal method, when not painting directly onto a wall ( fresco) or on vellum (used for miniatures in illuminated manuscripts ).
Cradling is a process used in the restoration and preservation of paintings on wooden panel. It consists in mounting a grid of wooden slats to the back of a painting to create a reinforcement and preserve the flat paint surface. Slats in either the horizontal or vertical direction are permanently fixed to the back of the panel, whilst the ...
A stretcher bar is used to construct a wooden stretcher used by artists to mount their canvases . They are traditionally a wooden framework support [1] on which an artist fastens a piece of canvas. They are also used for small-scale embroidery to provide steady tension, affixing the edges of the fabric with push-pins or a staple gun before ...
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