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Key grip working on set. A key grip is a senior role on movie sets, [1] involved with a wide variety of behind-the-scenes tasks. The key grip supervises grip crews who support camera and lighting technicians; assesses what equipment is necessary for each shooting location; coordinates the transportation of this equipment and its set up; and arranges the general movement and positioning of the ...
Grip (occupation) Grips working on a skateboard dolly. In the United States, Canada and the United Kingdom, grips are camera support equipment technicians in the filmmaking and video production industries. They constitute their own department on a film set and are directed by a key grip. Grips have two main functions: The first is to work ...
Best boy. In a film crew, there are two kinds of best boy: best boy electric (also known as the assistant chief lighting technician) and best boy grip (also known as the 2nd company grip). They are assistants to their department heads, the gaffer (in charge of electricals) and the key grip (lighting and rigging), respectively. [ 1]
Gaffer (occupation) In film and television crews, the gaffer or chief lighting technician is the head electrician, responsible for the execution (and sometimes the design) of the lighting plan for a production. The gaffer's assistant is the best boy electric .
Key grip The key grip is the chief grip on a set, and is the head of the set operations department. The key grip works with the director of photography to help set up the set and to achieve correct lighting and blocking. They are also used to manoeuver the cameras around the set. Best boy (grip) The best boy is chief assistant to the key grip.
In a film crew, an assistant to either of two department heads: the gaffer or the key grip (with the assistant sometimes referred to as the best boy electric or best boy grip, respectively). [17] The best boy acts as the foreman for his department.
The key grip is the head grip. Grips affect shadow effects with lights, and occasionally maneuver camera cranes, dollies, and platforms under direction from the Cinematographer. The term grip is used in slightly different ways in American and British or Australian film making.
Dolly grip. In cinematography, the dolly grip is a dedicated technician trained to operate the camera dolly. This technician places, levels, and moves the dolly track, then pushes and pulls the dolly and usually a camera operator and camera assistant as riders. If the dolly has a moveable vertical axis, such as a hydraulic arm, then the dolly ...