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Key grip working on set. A key grip is a senior role on movie sets, [1] involved with a wide variety of behind-the-scenes tasks. The key grip supervises grip crews who support camera and lighting technicians; assesses what equipment is necessary for each shooting location; coordinates the transportation of this equipment and its set up; and arranges the general movement and positioning of the ...
Best boy. In a film crew, there are two kinds of best boy: best boy electric (also known as the assistant chief lighting technician) and best boy grip (also known as the 2nd company grip). They are assistants to their department heads, the gaffer (in charge of electricals) and the key grip (lighting and rigging), respectively. [ 1]
Gaffer Patrick Shellenberger in a production photograph on the set of Dim Sum: A Little Bit of Heart. In film and television crews, the gaffer or chief lighting technician is the head electrician, responsible for the execution (and sometimes the design) of the lighting plan for a production. The gaffer's assistant is the best boy electric.
Key grip or first company grip: the boss or head of the grip department. Best boy grip or second company grip: this is the key grip's right-hand person. He or she will act on behalf of the key grip in areas such as booking crew and equipment rental. 3rd grip, company grip, hammer, or gang grip: the majority of grips fit into this category. They ...
Film crew. A film crew is a group of people, hired by a production company, for the purpose of producing a film or motion picture. The crew is distinguished from the cast, as the cast are understood to be the actors who appear in front of the camera or provide voices for characters in the film. The crew is also separate from the producers, as ...
A supervisor, or lead, (also known as foreman, boss, overseer, facilitator, monitor, area coordinator, line-manager or sometimes gaffer) is the job title of a lower-level management position and role that is primarily based on authority over workers or a workplace. [ 1] A supervisor can also be one of the most senior on the employees at a place ...
Nicole Parks was the creative director, Neema Sadeghi was the director of photography, Jake Coury was the 1st AC, Sven Van Ostrand was the key grip/gaffer, Tessa Robeson was the production designer, Ozzy Vidiro and Arielle Zolezzi were assistant producers, Alison Christian did Trainor's make-up, Iggy Rosales did her hair, and Hayley Atkin ...
The Gaffer is the Head of the Set Lighting Department and reports to the Director of Photography (Cinematographer) to make decisions on the creative lighting on the set (or on location), and is responsible for executing those decisions. A budget deciphered from the production schedule, script and vision mandates the types of lights and how to ...