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She argues a pedagogical function for the Parthenon's sculptured decoration, one that establishes and perpetuates Athenian foundation myth, memory, values and identity. [42] [43] While some classicists, including Mary Beard , Peter Green , and Garry Wills [44] [45] have doubted or rejected Connelly's thesis, an increasing number of historians ...
The statue of Athena Parthenos [N 1] ( Ancient Greek: Παρθένος Ἀθηνᾶ, lit. 'Athena the Virgin') was a monumental chryselephantine sculpture of the goddess Athena. Attributed to Phidias and dated to the mid-fifth century BCE, it was an offering from the city of Athens to Athena, its tutelary deity. The naos of the Parthenon on the ...
Athena [b] or Athene, [c] often given the epithet Pallas, [d] is an ancient Greek goddess associated with wisdom, warfare, and handicraft [4] who was later syncretized with the Roman goddess Minerva. [5] Athena was regarded as the patron and protectress of various cities across Greece, particularly the city of Athens, from which she most likely ...
The Parthenon frieze is the high-relief Pentelic marble sculpture created to adorn the upper part of the Parthenon 's naos . It was sculpted between c. 443 and 437 BC, [1] most likely under the direction of Phidias. Of the 160 meters (524 ft) of the original frieze, 128 meters (420 ft) survives—some 80 percent. [2]
The pediments of the Parthenon included many statues. The one to the west had a little more than the one to the east. In the description of the Acropolis of Athens by Pausanias, a sentence informs about the chosen themes: the quarrel between Athena and Poseidon for Attica in the west and the birth of Athena in the east.
Amazonomachy. In Greek mythology, an Amazonomachy ( English translation: "Amazon battle"; plural, Amazonomachiai ( Ancient Greek: Ἀμαζονομαχίαι) or Amazonomachies) is a mythological battle between the ancient Greeks and the Amazons, a nation of all-female warriors. The subject of Amazonomachies was popular in ancient Greek art and ...
Erich Pernice and Frantz Studniczka read the myth of Erichthonios and the erection of the cult statue of Athena Polias. Charles Picard shares the opinion that this is the same myth of Erichthonios but he rather suggests the creation of Panathenae. Erika Simon sees the story of another Lapith, Ixion, the father of Pirithoos.
Erechtheion. The Erechtheion [2] ( / ɪˈrɛkθiən /, latinized as Erechtheum / ɪˈrɛkθiəm, ˌɛrɪkˈθiːəm /; Ancient Greek: Ἐρέχθειον, Greek: Ερέχθειο) or Temple of Athena Polias [3] is an ancient Greek Ionic temple on the north side of the Acropolis, Athens, which was primarily dedicated to the goddess Athena .