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Matt Walsh (born June 18, 1986) [2] [3] is an American right-wing political activist, author, podcaster, and columnist. [4] He is the host of The Matt Walsh Show podcast and is a columnist for the American conservative website The Daily Wire .
Many academics and observers who study the American political scene have called Trump unique or highly unusual in his lying and its effect on political discourse. "It has long been a truism that politicians lie," wrote Carole McGranahan for the American Ethnologist in 2017, but "Donald Trump is different". He is the most "accomplished and effective liar" to have ever participated in American ...
“White Fragility” author Robin DiAngelo slammed well-known conservative podcaster Matt Walsh, who posed as an anti-racist activist and duped her into giving a black producer reparations in an ...
Am I Racist? is a 2024 American satirical documentary comedy film starring conservative political commentator Matt Walsh that lampoons the diversity, equity, and inclusion (DEI) movement. [1][4][5][6] Directed by Justin Folk for The Daily Wire, [7] it follows Walsh as he poses as a "bumbling DEI trainee", using subterfuge to interview experts and attend anti-racism workshops. [4][1] The film ...
Robert "Ajax" Ehl was found guilty of disorderly conduct after a jury found that Ehl blocked traffic during protests against conservative Matt Walsh.
Groypers are a loosely defined group of followers and fans of Nick Fuentes, a white nationalist, far-right political commentator and livestreamer. [8][2] After Fuentes, there is no clear second in the Groyper hierarchy. Groypers are named after a cartoon amphibian named "Groyper", which is a variant of the Internet meme Pepe the Frog.
Johnny the Walrus is a satirical 2022 children's picture book by American conservative political commentator Matt Walsh. The story allegorically compares being transgender and non-binary to pretending to be a walrus through the story of a child named Johnny. [1] It was published by DW Books, a division of The Daily Wire. [2]
Every now and then, a low-budget film emerges from outside the studio system and catches fire with the largely ignored right-leaning demographic, leaving mouths agape in Hollywood’s executive ...