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A kachina ( / kəˈtʃiːnə /; also katchina, katcina, or katsina; Hopi: katsina [kaˈtsʲina], plural katsinim [kaˈtsʲinim]) is a spirit being in the religious beliefs of the Pueblo people, Native American cultures located in the south-western part of the United States. In the Pueblo cultures, kachina rites are practiced by the Hopi, Hopi ...
Known for. painting, printmaking. Website. jaunequick-to-seesmith .com. Jaune Quick-to-See Smith (born 1940) is a Native American visual artist and curator. She is an enrolled member of the Confederated Salish and Kootenai Tribes and is also of Métis and Shoshone descent. [ 1] She is an educator, storyteller, art advocate, and political activist.
Indigenous American visual arts include portable arts, such as painting, basketry, textiles, or photography, as well as monumental works, such as architecture, land art, public sculpture, or murals. Some Indigenous art forms coincide with Western art forms; however, some, such as porcupine quillwork or birchbark biting are unique to the Americas.
Katsina tihu (Kokopol), probably late 19th century, Brooklyn Museum Hopi katsina figures (Hopi language: tithu or katsintithu), also known as kachina dolls, are figures carved, typically from cottonwood root, by Hopi people to instruct young girls and new brides about katsinas or katsinam, the immortal beings that bring rain, control other aspects of the natural world and society, and act as ...
Kenneth Bancroft Clark (July 24, 1914 – May 1, 2005) [ 1] and Mamie Phipps Clark (April 18, 1917 – August 11, 1983) [ 2] were American psychologists who as a married team conducted research among children and were active in the Civil Rights Movement. They founded the Northside Center for Child Development in Harlem and the organization ...
The first dolls in the American Girl/Historical line (Samantha, Kirsten and Molly) shared the same face mold but had different hair and eye colors. The first dolls were created with white muslin bodies, but these cloth bodies were changed in 1991 from a white muslin to a matching flesh tone. This accommodated the low necklines of Late Colonial ...
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