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Music of theUnited States. During the American Civil War, music played a prominent role on each side of the conflict, Union (the North) and Confederate (the South). On the battlefield, different instruments including bugles, drums, and fifes were played to issue marching orders or sometimes simply to boost the morale of one's fellow soldiers.
Captain America: Civil War. (2016) Doctor Strange. (2016) Captain America: Civil War (Original Motion Picture Soundtrack) is the film score to the Marvel Studios film Captain America: Civil War composed by Henry Jackman. Hollywood Records released the album on May 6, 2016.
Kingdom Coming. The original 1862 sheet music cover by Root & Cady. The composer Henry Clay Work in a W. S. B. Matthews engraving. " Kingdom Coming ", or " The Year of Jubilo ", is an American Civil War -era song written and composed by Henry Clay Work (1832–1884) in 1861. It was published by Root & Cady in 1862 and first advertised in April ...
The melody was previously published around July 1, 1863, as the music to the Civil War drinking song "Johnny Fill Up the Bowl". A color-illustrated, undated slip of Gilmore's lyrics, printed by his own Boston publisher, actually states that "When Johnny Comes Marching Home" should be sung to the tune of "Johnny Fill Up the Bowl".
Genre. sentimental ballad. Composer (s) George R. Poulton. Lyricist (s) W. W. Fosdick. " Aura Lea " (sometimes spelled " Aura Lee ") is an American Civil War song about a maiden. It was written by W. W. Fosdick (lyrics) and George R. Poulton (music). The melody was used in Elvis Presley 's 1956 hit song "Love Me Tender".
Song. Published. 1862. Songwriter (s) George Frederick Root. The " Battle Cry of Freedom ", also known as " Rally 'Round the Flag ", is a song written in 1862 by American composer George Frederick Root (1820–1895) during the American Civil War. A patriotic song advocating the causes of Unionism and abolitionism, it became so popular that ...
"Ashokan Farewell" / ə ˈ ʃ oʊ ˌ k æ n / is a piece of music composed by the American folk musician Jay Ungar in 1982. For many years, it served as a goodnight or farewell waltz at the annual Ashokan Fiddle & Dance Camps, run by Ungar and his wife Molly Mason, who gave the tune its name, at the Ashokan Field Campus of SUNY New Paltz (now the Ashokan Center) in Upstate New York.
Somehow, the music matches the nervous, revolutionary energy on screen: the unlikely sight of an angry Brooklyn patrolled by troops, hundreds of people clashing in the streets, a suicide bomber ...