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They mimicked the clothing and hairstyles of high fashion designers in France and Italy, opting for tailored suits that were topped by parkas. They rode on scooters, usually Vespas or Lambrettas. Mod fashion was often described as the City Gent look. The young men [82] incorporated striped boating blazers and bold prints into their wardrobe. [83]
Arnold, Janet: Patterns of fashion 4: The cut and construction of linen shirts, smocks, neckwear, headwear and accessories for men and women c.1540-1660. Hollywood, CA: Quite Specific Media Group, 2008, ISBN 0896762629. Ashelford, Jane: The Art of Dress: Clothing and Society 1500–1914, Abrams, 1996. ISBN 0-8109-6317-5; Ashelford, Jane.
Fashion in the period 1600–1650 in Western clothing is characterized by the disappearance of the ruff in favour of broad lace or linen collars. Waistlines rose through the period for both men and women. Other notable fashions included full, slashed sleeves and tall or broad hats with brims. For men, hose disappeared in favour of breeches.
Many of the earlier designs are more gender-neutral and simpler in cut than later examples. Later garments incorporate multiple pieces with men commonly wearing pants and women commonly wearing skirts. Clothing for women usually accentuates the body's natural curves through wrapping of upper garment lapels or binding with sashes at the waist.
The Ionic chiton could also be made from linen or wool and was draped without the fold and held in place from neck to wrist by several small pins or buttons.. Herodotus states the dress of the women in Athens was changed from the Doric peplos to the Ionic chiton after the widows of the men killed on military expedition to Aegina stabbed and killed the sole survivor with their peplos pins, each ...
[4] [page needed] Pieces were generally interchangeable between men and women. [5] However, women usually wore their robes to their ankles while men generally wore theirs to their knees depending on the occasion and circumstance. [4] Additionally, clothing often served many purposes than just being used as clothes such as bedding or a shroud. [6]
Fashion, Jewellery & Accessories. Victoria and Albert Museum; Looking at Eighteenth-Century Clothing by Linda Baumgarten at Colonial Williamsburg; 18th century European dress at the Metropolitan Museum of Art; 1770s-1790s Fashion Plates of men and women's fashion from The Metropolitan Museum of Art Libraries
Cheongsam (UK: / tʃ (i) ɒ ŋ ˈ s æ m /, US: / tʃ ɔː ŋ ˈ s ɑː m /) or zansae, also known as the qipao (/ ˈ tʃ iː p aʊ /) and sometimes referred to as the mandarin gown, is a Chinese dress worn by women which takes inspiration from the qizhuang, the ethnic clothing of the Manchu people.
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